not a thousand words, but many more

Jackson Pollock, Number 1, 1950 (Lavender Mist) (detail), 1950, National Gallery of Art, Ailsa Mellon Bruce Fund, 1976.37.1

"The composition is defined by sweeping lines of dripped and splattered paint; a threadlike net that sweeps across and fills the entire canvas."

Description. Representation. Emulation. Entanglement. Awareness.

A greyish web with black traces: a reality-cocoon. Will I awake? Metamorphosed?

Is this action painting?